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lightreads ([personal profile] lightreads) wrote2025-05-30 01:23 pm

Where the Axe Is Buried by Ray Nayler

Where the Axe Is Buried

4/5. A near future scifi thriller about the violently authoritarian surveillance state (it’s Russia) where the president is downloaded into successive bodies which the population steadfastly pretends not to notice, and the western european powers that have “rationalized,” i.e., installed AI prime ministers. A book about regime destabilization, and surveillance shadows, and thought control, and inception.

I was reading perfectly acceptable books, and then I picked this up and was like oh damn. Now this is good writing. This is tight (less than 100,000 words, probably) and intense and strange and bleak and hopeful. It stradles several genres and as such I suspect will not satisfy a lot of people: too literary and ambiguous for some, too much thriller for others. But this really landed for me.

Dense, chewy, controlled, beautifully written. Terribly sad on the costs of defying authoritarianism. Hopeful, in a complicated way.

Content notes: State violence Disappearances, camps, etc.
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lightreads ([personal profile] lightreads) wrote2025-05-28 03:45 pm

The Last Hour Between Worlds by Melissa Caruso

The Last Hour Between Worlds

4/5. A single mother, just two months post-partum, gets out for one night to attend a ball in her fantasy city. Which gets complicated when the whole ballroom keeps falling through levels of reality each time the clock strikes, and when her former crush turned professional enemy, the hot lady thief, is also on the case.

This is a lot of fun, and very stylish. Visually, I mean – there’s a lot going on here with what people are wearing and carrying, and with the shifting esthetics of each layer of reality. And you know I’m in favor of adventure books about mothers, particularly very new mothers like this one.

If you’re paying even moderate amounts of attention, none of these plot twists will rock you. But they are all pleasing to unwind, as is the whole book.

Content notes: Violence, temporary character death.
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lightreads ([personal profile] lightreads) wrote2025-05-27 01:06 pm

The Shots You Take by Rachel Reid

The Shots You Take

3/5. Another one of these M/M hockey romances. This one is even less about hockey than usual – old estranged teammates reconnect post retirement when one’s father dies. They have a lot of baggage having to do with how they used to sleep together, and one of them was in love and one of them had a lot of internalized homophobia.

I mean, I suppose someone did have to title a hockey romance that at some point.

Anyway, this one is nice, particularly for having actual adults in it. It also successfully walks that tough line where one half of the pairing treated the other half very poorly in the past, and there’s a lot of justifiable anger, but it is a romance after all so we have to retain some sympathy for both sides. So yeah, I liked this one fine. I’m not liking any romance more than fine at the moment, though, so who even knows what’s good anymore.

Content notes: Parental death and the raw aftermath.
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lightreads ([personal profile] lightreads) wrote2025-05-21 04:01 pm

A Drop of Corruption by Robert Jackson Bennett

A Drop of Corruption

4/5. Sequel in this fantasy biopunk Holmes & Watson universe.

One of the more successful sequels I’ve read in a long time, in the sense that this accomplishes the task of really blowing up and blowing out the world. I continue to be only middling interested in these characters (and also continue to be puzzled about why this series is first person, aside from the obvious stylistic nod). But the construction of this empire, whose people’s bodies and minds are modified in ways beyond our understanding by methods beyond their understanding, all while the leviathans come ever closer to breaking down the sea walls, is incredibly interesting to me.

I think this book is not as successful in its project of talking about kings and power structures by blood in general. It does that, but our protagonist is not really clocking the implications for his own life as an imperial subject, so it doesn’t quite come together the way intended. The first person gets in the way there, specifically, given our protagonist is not, shall we say, a political or philosophical thinker.

Still, I am way more interested in this now than I was after the first book.

Content notes: Body modification and body horror, threats of infection/contamination.